The Madman’s Daughter by
Megan Shepherd
Series: The Madman’s Daughter #1
Published
by Balzer + Bray
on January 29 2013
Genres: Young Adult, Mystery, Horror,
Paranormal, Historical Fiction
Pages: 420
Rating: 3/5 stars
Sixteen-year-old Juliet Moreau has built a life for herself in London—working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.
Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward—both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father's madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island's inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father's genius—and madness—in her own blood.
Inspired by H. G. Wells's classic The Island of Dr. Moreau, The Madman's Daughter is a dark and breathless Gothic thriller about the secrets we'll do anything to know and the truths we'll go to any lengths to protect.
I really enjoyed the
beginning of this book. It really hooked me in and I thought that the Juliet we
meet in London was a fascinating character – she was smart and different and a
little macabre, and I liked that. However,
things took a turn for the worst when we were introduced to Love Interest #1,
Montgomery. Suddenly a cruel scientist was trying to rape Juliet and she
was cutting him with a cleaning tool and then off we go on a ship heading
towards Australia. We meet Love Interest
#2, Edward, on said ship and things just start to get simultaneously weird and
boring, which is quite a feat in and of itself. This whole section of the
book was just very rushed and disjointed.
By the time we hit
the halfway point, I was thoroughly unimpressed by Juliet. I loved that she had a dark side, but she was very angst-y about it.
She wanted to be absolutely nothing like her father, which for some reason
meant that she couldn’t be interested in science. It didn’t really make sense
to me, especially the explanation given towards the end of the book for her
stranger inclinations. I like characters who embrace that darker edge to them. I also really wanted Juliet to make up
her mind about where she stood regarding the ‘monsters’. Were they beasts
or humans? Was killing them considered murder or not? How could she pick and
choose which ones were more human than the others and apply her human morality
only to those select few? I know I worded that very strangely, but I’m not sure
how else to phrase it. Her attachment to Balthazar and the snakey guy pissed me
off because the way I see it, if you accept one or two, you have to accept them
all.
Juliet
spent a vast amount of time worrying about which boy she most wanted to kiss,
when she clearly had much bigger problems on her hands – namely the monster
roaming the island killing people. No
big deal though, right? My main problem was that the love interests were so
freaking boring. I honestly didn’t find myself rooting for either of them,
though I disliked Edward more than Montgomery. I suppose that makes me Team Montgomery?
No thank you. Team
Get-Juliet-The-Hell-Away-From-These-Psychos is more my speed. For the most
part, the characters (with the exception of Dr. Moreau) are all very modern,
with 21st century ideas and beliefs, which didn’t cohere well with
the Victorian setting. I had some qualms
with the chosen time period, as it didn’t seem to add much to the book. Due
to the vast majority of the book taking place on a more or less deserted
island, the Victorian element doesn’t really come into play much and it felt a
bit wasted.
The only characters I
actually liked were the maid and the experiment-man gone rogue. They were cool
and interesting, though by the end of the book one of them was dead and the
other couldn’t speak.
Having not read The Island of Doctor Moreau, upon which
this book is based, I only vaguely knew what was going to happen (most of the
time). I knew the general idea, but nothing beyond that. That said, there was
at least one thing that really worked for me in The Madman’s Daughter, and that was the atmosphere. This book had
some seriously creepy moments, and despite the major issues I had with it, I
sped through it. I thought the writing
was solid, and am interested to see what else Megan Shepherd can produce in the
years to come. Though I saw the twists coming miles away (this from someone
who doesn’t usually pick up on these things!), I think I’ll give Book Two a
chance. We’ll see. Hopefully that one
will be more gothic horror story and less YA love triangle.
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